Well, let me tell you something about this ol’ comic book, Batman #423. I ain’t one to talk fancy, but I do know when somethin’ is special. This issue right here, folks, it’s a real gem in the world of comics. It’s got that Todd McFarlane touch, y’know, the same fella who drew all them crazy, sharp lines and made Spider-Man look like he was jumpin’ off the page. This Batman issue, it’s got his signature style all over it, and that’s why folks are payin’ big bucks for a copy in good condition. Not that I can afford one, mind you, but I sure can appreciate a good comic when I see one.

Now, this Batman #423 came out in the early ’90s, right? And it’s got a cover that’ll make your eyes pop outta your head, drawn by McFarlane himself. He made Batman look all dark and gritty, like he was ready to pounce right at ya. People love that kinda stuff these days—makes Batman look tough as nails, like a real force to reckon with. I remember back in the day, comics was somethin’ folks’d read to escape, but with stories like this one, it felt like the Bat was just as messed up as the rest of us. Ain’t no hero too good to get dirty, is what I say.
But lemme tell ya, this issue don’t just have pretty pictures. There’s a lot goin’ on in the story too. In this one, you got three GCPD officers sittin’ around in a diner, talkin’ ‘bout the wild things they seen Batman do that night. One officer tells how Batman saved a boy who was gonna jump off a bridge. The kid was all strung out on heroin, and Batman swooped in like a bird of prey, grabbin’ him before he hit the water. Talk about a hero, huh? I swear, if I was that officer, I’d be sittin’ there, wide-eyed, thinkin’, “Who else could do that?”
The next officer’s got a story too. He talks about how Batman stopped some gang who had a bunch of people held hostage. This time, the Bat was throwin’ Batarangs and breakin’ limbs. Ain’t nobody ever seen someone so tough. He don’t just stop bad guys; he makes ’em regret ever pickin’ up a weapon in the first place. Now, that’s the Batman I remember from back when the world still made sense.
And the artist and crew behind this issue, they ain’t no slouches either. You got folks like Adrienne Roy, who worked the colors, and Dave Cockrum, John Costanza, and the legendary Denny O’Neil as the editor. O’Neil’s name carries weight, folks, like a big ol’ sack of potatoes—you know he knows what he’s doin’. Jim Starlin wrote this one, and he’s got a knack for throwin’ in some deep stuff, stuff that gets you thinkin’ while you’re still turnin’ pages.
Now, I know you’re probably wonderin’, “What’s the value of a Batman #423 comic book?” Well, if you got one in mint condition, you’re lookin’ at somethin’ worth a pretty penny. I ain’t sayin’ you’ll be swimmin’ in money, but I’ve seen people sell ’em for hundreds of dollars. You can look up prices all over the internet, but you best believe the demand’s high. That McFarlane cover? People love it, they’ll pay for it.
And if you’re a real comic lover, you’re gonna want to check out the different variants and special editions too. There’s always somethin’ extra with Batman comics—different covers, special printings, all that stuff. It’s like lookin’ for treasure in an old dusty box in your attic. Never know what you might find!
Let me tell ya, Batman #423 is one of those issues that stays with ya long after you’ve put it down. It’s a classic, a real piece of comic book history. People love McFarlane’s work, and this one’s no different. If you’re lucky enough to have one, take care of it. It’s worth somethin’ more than just the paper it’s printed on.
Tags: Batman, DC Comics, Todd McFarlane, Batman #423, Jim Starlin, comic book value, GCPD, Batman stories, vintage comics, comic collecting, superhero comics, Justice League, Knightmare Batman

Tags:[Batman, DC Comics, Todd McFarlane, Batman #423, Jim Starlin, comic book value, GCPD, Batman stories, vintage comics, comic collecting, superhero comics, Justice League, Knightmare Batman]